Promoting archaeological inquiry and public understanding of the diverse cultures of the human past


The Archaeological Institute of America - Jacksonville Society

The Archaeological Institute of America (AIA) is the world's oldest and largest archaeological organization. The AIA is a nonprofit founded in 1879 and chartered by the United States Congress in 1906. There are more than 100 local societies, like this Jacksonville Society, in the United States, Canada, and overseas. Members include professional archaeologists, students, and enthusiasts, all united by their passion for archaeology and its role in furthering human knowledge.

The AIA promotes archaeological inquiry and public understanding of the material record of the human past to foster an appreciation of diverse cultures and our shared humanity.

The AIA supports archaeologists, their research and its dissemination, and the ethical practice of archaeology.

The AIA educates people of all ages about the significance of archaeological discovery and advocates for the preservation of the world’s archaeological heritage.

Professional archaeologists who are AIA members, have conducted fieldwork worldwide. The Institute has founded research centers and schools in seven countries and maintains close contact with these institutions. AIA Members are dedicated to the greater understanding of archaeology, the protection and preservation of the world's archaeological resources, and the support of archaeological research and publication.



Our speaker presentations take place at noon, in Building 51 at the University of North Florida, Jacksonville, (1 UNF Dr, Jacksonville, FL 32224).  Email [email protected] to find out if Zoom is offered for each lecture.  The lectures are free and open to the public. After the lecture,  complimentary refreshments may be served in the Physical Anthropology Lab. On Saturdays, parking is free and the staff/faculty/vendor spaces are open to everyone.



Alex Diaz, Master Student, Florida State University

Crafting Bones: An Analysis of a Worked Bone Assemblage from a Mississippian Mound Complex in Northeast Florida

Bone has been used as a medium for crafting both tools and decorative items since our earliest ancestors; however, this important component of material culture has often been overlooked. The analysis of the worked bone assemblage recovered from the excavations at the Mill Cove Complex has the potential to provide insights into the role of worked bone within a unique ritual context. Diaz worked to create a typology using a multi-analytical approach to highlight the relationships between form and function supported by use-wear and macro fracture analysis to provide insights into the manufacturing, use, and discard of the worked bone artifacts recovered from the site. The data gathered from this study has contributed to a better understanding of the role worked bone played within ritual contexts among the pre-contact communities along Florida’s Northeast coast.

Dr. Tate Paulette from North Carolina State University

When Beer Flowed Like Wine: Beer and Brewing in Bronze Age Mesopotamia

We may be living in the age of craft brewing, but the craft of brewing has much deeper roots. For thousands of years, people have been intentionally fermenting cereal grains to create their own unique versions of the intoxicating beverage that we now call beer. In ancient Mesopotamia, beer was produced on a massive scale and was consumed on a daily basis by people across the socio-economic spectrum. Beer was a gift from the gods, a marker of civilization, a dietary staple, a social lubricant, a ritual necessity, and a reason for celebration. It was consumed at feasts, festivals, and ritual ceremonies, but also at home, on the job, and in neighborhood taverns. It was produced by brewers working for the powerful palace and temple institutions and also by local tavern keepers and homebrewers. This lecture explores the archaeological, artistic, and written evidence for beer and brewing in Bronze Age (3000–1200 BC) Mesopotamia, as well as recent efforts to recreate Mesopotamian beer.

Dr. Tate Paulette studies urban food systems in the ancient world. A native of North Carolina, he holds an MA and PhD in Near Eastern Archaeology from the University of Chicago and an MA in Archaeology from the University of Edinburgh. His research explores agricultural practices, gastro-politics, and state making in the world’s first cities and states, with a focus on Mesopotamia and the Near East. He also studies ancient alcohol, and he has spearheaded a collaborative effort to recreate Sumerian beer using authentic ingredients, equipment, and brewing techniques.  

Dr. Sarah Freidline, University of Central Florida

Recent advances in human origins research: new insights from Northern Africa to Southeast Asia

New technologies and methodological approaches in the last decades have led to exciting advances in paleoanthropology—especially concerning the origin of our species, dated to roughly 300,000 years ago, and our subsequent dispersions out of Africa. Current fossil and genomic data suggest that we were not the only members of our genus alive during this time. In this talk, I will discuss recent advances and pending questions in human origins research, focusing on my work on some of the earliest Homo sapiens fossils from Northern Africa (Jebel Irhoud, Morocco) and Southeast Asia (Tam Pà Ling, Laos), as well as our enigmatic cousins, the Denisovans.

Dr. Freidline is a biological anthropologist who specializes in paleoanthropology. Her research focuses on the evolution and development of human craniofacial morphology. She applies state-of-the-art methods to interpret craniofacial growth in fossil species ranging from Homo erectus to H. neanderthalensis and H. sapiens with the ultimate goal of better understanding the evolution of the H. sapiens face.  Freidline combines geometric morphometric methods and surface histology to quantify macro and microscopic shape changes. Furthermore, as fossil bones are nearly always damaged, a large part of her work consists of virtual fossil reconstruction.  

Sarah received her Ph.D. in 2012 working jointly at the City University of New York (CUNY) Graduate Center and the Max Plank Institute for Evolutionary Anthropology (MPI-EVA) in Leipzig, Germany. From 2012 to 2020, she worked as a post-doctoral researcher at the MPI-EVA in the Department of Human Evolution.

Dr. Charles Cobb from the Florida Museum of Natural History at the University of Florida

Following the Metal Wake of Spanish Expeditions in the Southeast

Many of the artifacts from 16th-century Spanish explorations found on Native American sites in the American Southeast have been documented from burial contexts. This has given rise to the received wisdom that these objects were usually gifts distributed to Indigenous elites. Over the past decade, archaeological research at sites in Mississippi, Alabama, and Georgia has challenged this perspective. Systematic-metal detecting surveys have revealed that objects of European origin are far more abundant than previously realized and are often found in domestic contexts. This work is opening up new interpretations about how Native Americans acquired European goods, as well as how they modified these objects in ways that aligned with Indigenous worldviews.

Charles Cobb has been the Curator of Historical Archaeology at the Florida Museum of Natural History since 2014. He also is Director of the Museum’s Randell Research Center located on Pine Island in southwest Florida. He received his PhD in 1988 from Southern Illinois University and was subsequently a faculty member in anthropology at SUNY-Binghamton and University of South Carolina before his arrival at the University of Florida. Cobb has a long-term interest in the history and archaeology of Indigenous cultures of the southeastern United States, with a particular focus on interactions between Native Americans and European colonials. Since his arrival at Florida, he has been developing an online digital database of Florida Museum artifact collections from St. Augustine and Franciscan mission sites. Meanwhile, his field projects have had two emphases: first, addressing the impacts of Spanish expeditions on Native American societies during the 1500s A.D.; second, investigating the widespread abandonment of Indigenous towns in the mid-South during the 1400s A.D. Since 2015, his fieldwork has been carried out in collaboration with the Chickasaw Nation.


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ATHENS, GREECE—ABC News reports that traces of a round building estimated to be 4,000 years old were discovered on a hilltop on the island of Crete during an investigation conducted ahead of the construction of a radar station to serve a new airport. No other Minoan structures like it have been found, according to archaeologist and Culture Minister Lina Mendoni. The entire structure covers about 19,000 square feet, and consists of eight stepped stone walls measuring up to more than five feet tall surrounding an inner circle split into smaller, interconnecting spaces. Researchers think that these rooms would have been covered by a conical roof, similar to early Minoan beehive tombs. Many animal bones were recovered inside, suggesting that the building may have been used for communal ceremonies and offerings involving the consumption of food and wine. Mendoni said that a new location for the radar station will be found. To read about excavations at the Minoan town of Gournia, go to "The Minoans of Crete."


LONDON, ENGLAND—According to a statement released by Antiquity, a new study of rock engravings along the Atures Rapids on the Orinoco River in Colombia and Venezuela suggests that they may have been used to communicate territorial boundaries more than 2,000 years ago. Philip Riris of Bournemouth University and his colleagues worked with local guides to map artworks at 14 sites in the river basin with drone photography. Some of these rock art sites had been previously identified, but a few of them were discovered during the project. The images, including depictions of snakes measuring more than 130 feet long, resemble motifs on pottery uncovered in the area. “We know that anacondas and boas are associated with not just the creator deity of some of the Indigenous groups in the region, but that they are also seen as lethal beings that can kill people and large animals,” Riris said. Team member José Oliver of University College London noted that this stretch of the river was an important trade route and point of contact for local groups. The researchers suggest that the monumental artworks would have been highly visible. “Snakes are generally interpreted as quite threatening, so where the rock art is located could be a signal that these are places where you need to mind your manners,” Riris concluded. Read the original scholarly article about this research in Antiquity. To read about other rock art identified along the Atures Rapids, go to "World Roundup: Venezuela."





Click the cover image for more details

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Making a Roman Emperor
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Rise and Fall of Tiwanaku
New dating techniques are unraveling the mystery of a sacred Andean city